Black Marble

Brudenell Presents... Black Marble (Chris Stewart) emerged from NYCs cold wave revival scene in the early twenty teens, and released his first full length A Different Arrangement in October of 2012. Signed by Sub Pop imprint Hardly Art after releasing just one song online, Black Marble quickly hit his stride alongside other NYC synth acts like Martial Cantrell Led Er East and Frank (Just) Frank - playing small club shows in the bowels of Manhattan's Lower East side to small but dedicated throngs of in-the-know city kids. Released to wide acclaim, it took Stewart four years to follow it up with 2016s It’s Immaterial. Well received in it’s own right as a worthy successor to the strict, slightly dour and yet catchy formula that seemed to galvanize so quickly with ADA, It’s Immaterial saw Stewart exploring slightly more melodic territory without losing the charm that gave the project its initial momentum. 2019 saw Stewart change coasts (New York for LA) as well as Labels (Ghostly for Sacred Bones) to coincide with the release of his third album, Bigger Than Life, which reflected the change of scenery by letting more light creep into his sound without losing the detachment of his subject matter. Pitchfork weighed in by saying: Stewart positions many of his characters as passengers observing the city from the window of a crosstown bus, freaky classmates keeping bones under their bed, or lonely introverts looking for salvation in consumerism.